OPTICKS
2009-ongoing
Live Performance between the Earth and the Moon
duration approx. 45 minutes

I realized the project in collaboration with the CAMRAS radio amateurs association based at the Dwingeloo radio telescope (NL). Each live performance is made possible thanks to the collaboration of international radio enthusiasts in Italy, Switzerland, Poland and Brazil.

OPTICKS employs a technology called Earth-Moon-Earth or Moonbounce, which uses the Moon as a natural reflector for radio signals.

In October 2009, with the help of international radio operators, I pioneered a new application of the Moonbounce technology, called Visual Moonbounce, which allows sending images to the Moon and back, using amateur radio technologies.

The title OPTICKS is inspired by Newton’s discoveries of the light spectrum, reflection and refraction. Similarly, the colours composing an image – converted into radio signals – are bounced off the Moon (reflected and refracted) by its surface during each live performance. The noise, the distortion of the colours and the shapes make the Moon reflected images evocative of the long journey to the Moon and back.

I consider OPTICKS as a contemporary form of Happening and Mail Art, for which people from all over the world exchange images via the Moon during a playful and experimental event streamed live on the web from the cabin of the Dwingeloo radio telescope.

For viewers in the live OPTICKS performance, the technology becomes a tool for experiencing virtual space travel.

The thought that one’s image is travelling into space can have a very engaging effect on the sender. Participants often report feeling as ‘virtual astronauts’ and I often refer to them in my presentations as ‘Cosmic Flaneurs’. The project is conceived as a Cosmic Mail Art event, where the digital images – often submitted from different locations on Earth – reach the Moon while being altered by its surface and by the long journey. At the end of each ‘happening’, the Moon reflected images are printed as postcards and returned to the original sender with my message, confirming the effective journey of the image. The moon reflected postcards consolidate the network between the sender, the artist and the radio amateurs, creating a long lasting and tangible memory of the virtual cosmic journey.

OPTICKS is the first live art event designed to be streamed live from the Dwingeloo radio telescope (NL), in collaboration with international radio operators and the live participation of the audience through Moonbounce. Many elements of the project are being used by another very similar endeavour without credits. Please don’t support this type of opportunistic work.

www.opticks.info

A recording of OPTICKS for the radio programme RaiTunes can be viewed here:

For viewers in the live OPTICKS performance, the technology becomes a tool for experiencing virtual space travel.

The thought that one’s image is travelling into space can have a very engaging effect on the sender. Participants often report feeling as ‘virtual astronauts’ and I often refer to them in my presentations as ‘Cosmic Flaneurs’. The project is conceived as a Cosmic Mail Art event, where the digital images – often submitted from different locations on Earth – reach the Moon while being altered by its surface and by the long journey. At the end of each ‘happening’, the moon reflected images are printed as postcards and returned to the original sender with my message, confirming the effective journey of the image. The moon reflected postcards consolidate the network between the sender, the artist and the radio amateurs, creating a long lasting and tangible memory of the virtual cosmic journey.

OPTICKS
OPTICKS
OPTICKS

Image reflected off the surface of the Moon during OPTICKS (2017)
Credits: Wikimedia

OPTICKS

Image reflected off the surface of the Moon during OPTICKS (2017)
Credits and copyright: Pigcasso

OPTICKS is the first live art event ever designed to be streamed live from the Dwingeloo radio telescope (NL), in collaboration with international radio operators and the live participation of the audience. Many elements of the project are now being used by another very similar endeavour sadly without credits